D Two
멀티탭 리듬 딜레이 (MULTITAP RHYTHM DELAY)

Awards August 2000 Key Buy Award Keyboard (US)

프로페셔널 오디오 업계에서 고품질 솔루션 제조회사로 유명한 TC Electronic은 세계에서 가장 정교하면서도 직관적인 사용자 인터페이스와 결합된 우수한 품질과 뛰어난 디지털 기술 개발에 대한 노하우를 20년 이상 보유하고 있습니다.





우리의 클래식 딜레이의 전통은 매우 음악적인 리듬 탭 기능을 소개합니다. 템포만이 아니라, 실제 리듬 패턴도 직접적인 탭을 통해 얻을 있습니다 ? 또는 특정 템포와 세분화된 리듬에 따라 퀀타이징이 가능합니다. 딜레이 및 리듬 패턴은 각각 최대 10초까지 가능하며 Absolute Repeat Control로 반복되는 정확한 회수를 조정할 수 있습니다


- 멀티탭 리듬 딜레이
- Absolute Peak Control
- 10초 이상의 딜레이
- 50개의 초기 프리셋과 100개의 프리셋
- 24bit A/D, D/A 컨버터
- 24bit S/PDIF 디지털 입출력, 44.1/48kHz
- 1/4” 커넥터의 듀얼 입출력
- 24bit 내부 신호 처리



Cutting Edge Technology
With the introduction of the D-Two, TC Electronic have once again succeeded in developing cutting edge technology, expanding the way you work with your effects processor! Your creativity will be the only limit when it comes to exploring the endless number of delay possibilities within the D-Two.

True 24 Bit
State-of-the-art hardware provides you with true 24 bit resolution A/D and D/A converters and true 24 bit RAM memory. The unique hardware design ensures that the delay effects you get from the D-Two only come in one variety: The best possible audio quality!

Affordability
The introduction of the D-Two adds a brand new feature to TC´s Ultimate Sound Machines: Affordability! Behind the cool looking exterior of the D-Two Rhythm Tap Delay lies more than 20 years of know-how and experience in supplying Ultimate Sound Machines to the Professional Audio Industry!

Delay Re-Invented
When TC Electronic introduced the TC 2290, the Professional Audio Industry was given an exceptional tool for creating stunning delay effects. Since the introduction of the TC 2290, digital delay processors have been built on the same basic principle. With the introduction of the D-Two Rhythm Delay TC once again revolutionizes the concept of delay effects processing by adding the possibility of actually creating rhythm delay patterns. The Rhythm Delay feature makes the D-Two the most unique dedicated delay unit - ever!

Standard Delay Line
The standard delay line of the D-Two is based around a delay line with a feedback loop. The audio is fed back via the loop, which results in repeats.

The D?Two Delay Line
The D-Two delay/feedback strategy is different from ordinary delay products. In the D-Two the repeats are caused by a number of taps that are not fed back into the delay line. That enables the D-Two to output a specific number of repeats, providing you with ultimate control.

Rhythm Delay
It is also possible to feed the last tap back into the delay line, generating a complete rhythm sequence, which is repeated when you have the Feedback active. This unique feature allows you to exactly match your effects to your music.

Rhythm Tap
TC introduces the truly musical Rhythm Tap feature: Not only tempo, but actual rhythm patterns can be tapped directly - or quantized according to a specific tempo and subdivision. The delays and rhythm patterns can be up to 10 seconds each. Control the exact number of repeats with Absolute Repeat Control.

Setting Up
Setting up your D-Two is extremely easy. Either choose Regular mode for standard delay applications or choose the Unique D-Two Rhythm mode. Simply tap in a specific rhythm and match this to your source material. You automatically enter the Rhythm mode when you tap the FEEDBACK/RHYTHM key.

Complete Overview
TC Electronic has a long tradition of building high quality intuitive user interfaces. With the introduction of the D-Two this proud tradition is upheld. An ultra detailed Multi Spectral LCD Display provides you with complete overview of what is actually going on in your processor. Every feature has its own section in the display. This makes it easy to take advantage of the many unique possibilities integrated in the D-Two.

Add-On-Effects
The D-Two Delay processor comes with six unique add-on effects. You can access all parameters of the six effects directly from the front panel.

Chorus
A great sounding pitch-modulated delay in the shape of TC’s world-acclaimed Chorus is included in the D-Two as well. Double clicking on the CHORUS key provides you with instant access to all chorus parameters.

Filter
Add Filter to your delay to get a softer, warmer and more natural sounding delay. Reduce the high frequencies of your delay with the D-Two filter effect. This gives you a delay that which in most cases will seem less disturbing on the overall sound.

Spatial
Use the Spatial Delay effect if you want to add more width to the sound of your material. Extra width is generated either by offsetting left channel up to +/-200ms or by reversing the phase on any channel or both.

Reverse Delay
The Reverse Delay effect processes the signal, and adds a backward delay.

Dynamic Delay
Get one of the most useful delay functions with the D-Two: The Dynamic Delay effect. Reduce the delay level as much as you like while the signal is fed to the Input, or enhance the delay level when the signal is at a lower level. When using this function you get a delay effect which seems to be present only where and when it does not disturb or interfere with the source material e.g. in the pauses between phases from a vocalist, a guitar player or similar.

Ping-Pong
Let your material jump from left to right, left-center-right or let the D-Two dynamically fit the panning to your chosen number of taps. If you combine this panning style of delay with the unique Tap function you get a delay effect that takes your production to dimensions like you have never experienced before.

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What they said
2000-8 Keyboard (US)
Author: Ernie Rideout

... the sound quality of these instruments [the M-ONE and D-TWO, ed.] is incredible for the price. I found them to be very inspiring to use, and I was very impressed with the results -- so much so that we've awarded both units the Key Buy award.

2000-8 Guitarist Magazine (FR)
2 pages review, page 48.
Author: Olivier Galan

Si vous recherchez des effets de delais sophistiques qu'aucun multi-effets ne saurait vous apporter, le D-TWO est irremplacable.

2000-7 The MIX (UK)
2 pages review, page 52
Author: Seb Pecchia

A cracking unit from TC. What looks like a simple delay unit becomes a very powerful and innovative tool around the studio, giving rise ti exciting and easy-to-program possibilities.

2000-7 Soundcheck (D)
2 pages review, page 70
Author: Jan-Friedrich Conrad

Es macht spass mit dem D-TWO zu arbeiten und zu experimentieren. Ein echter Spezialist, der sich angenehm von den Alleskonnern abhebt.

2000-6 PlayRecord (FR)
5 pages review, page 40
Author: Guillaume Bouchateau

Ici, le son est franchement de grande qualite, plein, riche, avec cette legere accentuation des aigus propre a TC. Superbe !

Frankly, the sound is top quality. Full and rich, with this TC specific subtle boost in the high frequencies. Superb !

2000-6 Soundcheck (DK)
D-TWO er 'bare' en delay, men til gengæld den ultimative delay. Betjeningen er fremragende og displayet er informationsrigt. [...]. ... TC D-TWO fortjener seks Soundcheck-kasser. Man far meget jubel for pengene.

The D-TWO is not 'just' a Delay, it is the ultimate Delay. The user-interface is excellent and the display shows a lot of useful information. [...]. ... TC D-TWO deserves six stars, and you surely get a lot joy for the money.

2000-6 Music Mart (UK)
The D-TWO and M-ONE are superb units - extremely quite, well built, thoughtfully designed and great sounding, while the excellent displays are the best I've come across to date. [...] In fact, I can't imagine using a delay without one (D?TWO, red.) any more.

2000-5 Keyboards (D)
Das D-TWO ist kein Allrounder wie sein Multieffekt-Kollege M-ONE, sondern ein wirklicher Spezialist, der Freunde anspruchsvoller Delay-Effekte auf ganzer Linie begeistern kann. Erstklassige Audio-Qualitat, gepaart mit Effekten von "normal" bis "extravagant" und eine komfortable Bedienung haben leider ihren Preis.

2000-5 Sound On Sound (UK)
3 pages review, page 146
Author: Paul White

A studio effects processor dedicated solely to providing digital delay is a rare thing in this age of all-singing, all-dancing multi-effects units. [...]. In the D-TWO, TC have produced a very attractive delay unit that sounds exemplary and offers some unique features as well as all of the expected ones.

2000-5 Connections (Australia)
½ page review, page 66
Author: Sid Kidman

Full marks goes to t.c. electronic for supplying to the market, the M-ONE and D-TWO. They are 'onehellova' two very impressive FX units.

2000-5 Keys (D)
3 pages review, page 70
Author: Matthias Sauer

Das D-TWO ist ein Delay-Spezialist fur alle, die mit komplexen Echos arbeiten und doch schnell zu guten Ergebnissen kommen wollen.

2000-5 Electronic Musician (US)
5 pages review, page 124
Author: Mike Collins

TC Electronic's M-ONE and D-TWO are very powerful yet affordable new multi-effects units from one of the most highly respected names in signal processing. [...]. I highly recommend the M-ONE and D-TWO.

2000-5 MM (Sweden)
1 page review, page 60
Author: Mats Grundberg

Jag gillar D-TWO. Den later alldeles utomordentligt, erbjuder stora mojligheter att arbeta kreativt med delayeffekter och ar pa det hela taget snabb och enkel att arbeta med. [...] . Om du letar efter ett inspirerande och valljudande delay skall du definitivt kolla in D-TWO.

2000-5 Studio Sound (UK)
2 pages review, page 22
Author: Dave Foister

In terms of quality and facilities these [M-ONE & D-TWO, red.] are TC through and through, spectacularly easy to use, and flexible enough to give anything a run for its money at this price and more.

2000-4 Future Music (UK)
3 pages review, page 86
Author: Mick Williams

Add MIDI control of all the parameters [...] and you have an extremely versatile device that can add a little bit of magic to your mix. Overall this is a great little unit, it is easy to use and quite unique in its abilities. If you're ready to make the step up to a dedicated delay unit, this is definitely the best way to do so.

2000-3 Keyboards Home Studio (FR)
2 page review, page 104
Author: Patrice Lazareff

... nous avons trouve extremement amusant et agreable de (re)decouvrir toute une palette d'effets avec de surcroit le double benefice d'un gros son et d'un petit prix. A essayer toutes affaires cessantes.

Issue # 9 Audio Technology (Australia)
3 pages review, page 86
Author: Scott Christie

Together, or seperately, the M-ONE and D-TWO are extremely desirable pieces of gear. TC has managed to blend technically excellent specs and inspired functionality at a highly competitive price. If I was putting together a studio - whether home/project or even pro, I'd put these at the top of my list.